![]() ![]() SCHMITZ: Plus Louis Armstrong's "Beau Koo Jack." Du Bois and "Home To Harlem" by Claude McKay. JENKINS: And this year, we are celebrating works such as "Dark Princess" by W.E.B. (SOUNDBITE OF LOUIS ARMSTRONG'S "BEAU KOO JACK") JENKINS: In 1928, the Harlem Renaissance was in full swing, ![]() SCHMITZ: Other works heading into the public domain today reflect a unique movement in U.S. JENKINS: And Woolf writes, (reading) in every human being, a vacillation from one sex to the other takes place, and often it is only the clothes that keep the male or female likeness, while underneath the sex is the very opposite of what it is above.Īnd so here's an exploration of gender fluidity from almost a hundred years ago that is still very much relevant today. SCHMITZ: All over the course of 300 years of British literary history. JENKINS: And one of my favorite books as an English major, Virginia Woolf's "Orlando," which features a fascinating character who experiences life as both a man and then a woman. Radclyffe Hall's "The Well of Loneliness." Lawrence's "Lady Chatterley's Lover," which explores lust and class division and which was famously banned as obscene. SCHMITZ: Such as a book that's inspired multiple film adaptations. Looking back into history this year, at 1928, we find exactly the same concerns and debates and even the same attempts to ban or censor certain themes and certain points of view. JENKINS: You know, right now we're in the midst of cultural battles about the extent to which things like gender identity are, or should be, viewed as immutable. SCHMITZ: In literature, Jenkins points to three titles headed to the public domain with familiar themes. UNIDENTIFIED ACTORS: (As characters, singing) For two. SCHMITZ: And it's worth noting here that old Arizona had only achieved statehood about 16 years before this Western was released. UNIDENTIFIED ACTORS: (As characters, singing) I'm half crazy, all for the love of you. We were at the end of the silent film era, and at the time, talkies with synchronized sound were a technological marvel, including a film that apparently features singing cowboys. JENNIFER JENKINS: In 1928, we were in the midst of a transitional period for cinema. ![]() Jennifer Jenkins runs the Center for the Study of the Public Domain at Duke Law School, and every year, she writes about some of the original works that lose legal protection. If you don't clear the bar tab stop before you print your document, the vertical line is printed.So that early version of Mickey Mouse is not alone in its release from the copyright cage. Unlike other tabs, the bar tab is added to the text as soon as you click the ruler. If you don't clear the bar tab stop before you print your document, the vertical line is printed.Ĭlick or tap the bottom of the horizontal ruler where you want to set the tab stop.Ī Bar tab stop doesn't position text, it inserts a vertical bar at the tab position. ![]() It inserts a vertical bar at the tab position. See Use decimal tabs to line up numbers with decimal points.Ī Bar tab stop doesn't position text. Without regard to the number of digits, the decimal point remains in the same position. As you type, the text fills toward the left.Ī Decimal tab stop aligns numbers around a decimal point. As you type, the text centers on this position.Ī Right tab stop sets the right end of the text line. As you type, the text fills toward the right.Ī Center tab stop sets the position at the middle of the text line. Select Left Tab at the left end of the horizontal ruler to change it to the type of tab you want.Ī Left tab stop sets the left end of the text line. If you don't see the ruler at the top of your document, go to View > Ruler to display it. ![]()
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